Smack Dab In The Middle Of Nowhere: Ah, Perfect!

Last weekend we packed practically half of our possessions (well, it sure felt that way) and went out-of-town for a two-day furlough from life’s daily grind.  We travelled south from Chicago and around the tail end of Lake Michigan to the eastern shore and small, polka-dot-like towns of Southwest Michigan known as Harbor Country.  These bucolic villages sprung to life during the mid-eighteen hundreds as either orchard or timber towns.  After Chicago (due west across Lake Michigan) was destroyed by fire, it was petitioning timber companies from Wisconsin, Indiana, and Michigan to deliver as much timber as fast as they could to rebuild Chicago.  A number of towns from this region answered the call.

(On a side note: Much of what is today Chicago’s Grant Park (to the south of our world-class Millennium Park (completed 4 years late (2004) and (hoo-boy) $325 million over-budget)) is built on debris from the fire.  Local officials opted to dump the relatively small amount of rubble into convenient Lake Michigan).

Southwestern Michigan saw Stevensville and Benton Harbor being settled as orchard towns and still retain prominence for their peaches, blueberries, and wine-grapes; Union Pier and Three Oaks hit their stride as major logging centers for Chicago’s restoration.  However, once the forests were dismembered Union Pier relied on a small but consistent tourist industry for Chicago residents while Three Oaks turned to agriculture (mainly fruit orchards).  Other small whistle-stops took hold along miles of unobstructed beaches and sand dunes as summer retreats.  Union Pier was affectionately known as the Catskills of the Midwest and, like many of its nearby towns enjoyed an annual easterly migration of Chicagoans desperately seeking the serenity of rural retreats less than ninety minutes from the city.

That is until the 1950’s when tourism began to wane as Chicagoans discovered their northerly neighbor, Wisconsin was flecked by inland lakes upon which one could raise simple three-season cottages, retirement retreats, even mansions.  And a mere seven-hour drive from Chicago is Wisconsin’s famous peninsula known as Door County.  Comprised of small towns and hamlets dotting both the eastern shore abutting Lake Michigan and the western shore adjoining Green Bay, it compares easily to Delaware’s Rehoboth Beach, Boston’s Martha’s Vineyard, and New York’s Fire Island.

For thirty years visual artists slowly discovered Southwestern Michigan’s slow pace, abundant properties, and speedy access to Chicago.  Over the years the area has become an established center of professional artists and independently owned road-side galleries offering a variegated degree of original art.  But then, in the mid-eighties, gentrification began its blight on these drowsy little towns as over-stressed and over-worked professionals sought a destination closer to home than Wisconsin’s offerings; a location with an aging and troubled economy; a place where you could buy a house, some land, and a night sky chock-full of stars for a fraction of what you’d pay in Illinois or Wisconsin.  And what made these Harbor Country towns so appealing?  Poor economic conditions: They looked and felt pretty much the way they did in the fifties when they’d been abandoned by Chicagoans the first time.

And so they came, prosperous couples with new families gobbled up properties like Romans marching across Europe.  The lakefront corridor was by far most desirable, especially the west (lake) side where modest stone bungalows with beach rights might fetch as much as seven figures.  The march continued both north toward Benton Harbor and west, leap-frogging the Red Arrow Highway, and slowing its pace at the eastern most fringe of Three Oaks.  By 2000 the narrow lanes, over-built lots, and idyllic, provincial, and simple character of these sleepy hometowns were scuttled by the import of urbanized behaviors and expectations.  Rather than fleeing the unyielding stress of city life for a long-weekend of birdsong, hammock-naps, and tall tales around a blazing fire, these transplants smuggled stress, brash voices, and booming stereos across state lines, and piled their city lives one-on-top-the-other, until their retreat disappeared, and their urban maladies doubled because now, not only were they experiencing the exact situations from which they fled, they were stuck in a tiny, Hicksville town, that oh m’god! couldn’t draw a shot of espresso, much less support a Starbuck’s!

Except for Frank’s.  Our longtime friend found a small, modest home built of cinder block overlooking a field of corn and backed-up against a steep ravine hidden by a dense thicket and impassable brambles.  It had been home to a family of four until the kids left and, luckily for Frank, so did the parents.  The small and unassuming house and garage was overcast by Hemlock and Juniper pines which splayed out in all directions like the bloom of a peacock’s tail.  Frank has an uncanny creative quirk: he can look at a common object and by deconstructing it in his mind, he imagines its parts which he then assembles into a completely new object.  In this bashful home which dutifully sheltered a self-effacing and respectable generation Frank saw a discreet refuge, and a distanced and disconnected property a few inland miles due west of the shore communities whose infrastructure narrowly supports the torrent of weekenders and the subsequent bottlenecks (roads, shops, restaurants).  Frank prudently purchased the property and created a master plan which included landscaping: pruning the pines, planting native fruit trees, installing a 2,500 gallon koi pond and waterfall, indigenous gardens, fire pit, and outdoor sculpture; upgrading the utilities in the house; and the most innovative change: repurposing the two-car garage into a modern three-bedroom guest house complete with a full kitchen, fireplace, vaulted ceilings and scores of windows which flood the rooms with sunlight and the achievement of privacy, serenity, and timelessness; the very qualities desperately sought by other Chicagoans who impulsively bought homes in the favored townships on the popular lanes only to discover that their little resort town had overdeveloped into the Lilliputian version of Chicago.

Sans, oh m’god! A half-caf double-foam skinny extra hot latte with three pumps of caramel!  Which, by-the-way, Frank concocts (simply espresso, sugar cube, and twist of lemon) using an original, aluminum-bodied, Bialetti stove-top espresso maker.

That Frank, he’s simply an innovator and an inspiration to everyone who’s ever really gotten out of the city and into the real Harbor Country, his retreat in the middle of nowhere, which is precisely where we urbanites yearn to be. 

Thanks, Frank.

Fall’s Early Mornings Are Still Night

I closed the door behind me and with it the toasty comfort and wafting aroma of brewing coffee.  Turning to Jenni who was dancing at the gate, fall’s early morning rigor prompted my quick donning of gloves.  Carefully stepping down the frosted front stairs I blew into the air looking for the smoking gun, the evidence I’d need to herald to the neighborhood (like Paul Revere) the Winter is coming!  The Winter is coming!  Though I studied the air carefully as though I was looking for fingerprints, nary a puff appeared; no telltale sign besides my goose-flesh.  Fall‘s playing cat and mouse with us, I told Jenni as I turned the gates lever and she bolted out like a favored gelding at a horse race.

We’d gotten an early start today, earlier than normal.  Jenni was up and out of bed at half past five and though I pleaded for patience, her answer was determined and direct: any limb (or part of limb) which had poked out during the night like Punxsutawney Phil or General Beauregard Lee was suddenly startled by a dogged lapping of tongue as though the targeted extremity was a popsicle on the hottest dog-days of summer.  Heavy-lidded doziness and a ten thousand duck down comforter can be very seductive, but what’s really arousing is the cold and wet dogma of the persuasive lap-ping dog which highlighted my dog-eat-dog world.

Jenni’s quite content cavorting in Fall’s early morning chills.  I’ve donned thin gloves but toughed it out and left the toque at home.  There’s a certain sadness during fall; like knowing the fireworks-like trees will soon be bones unable to produce shade; the morning chill creeps longer into the morning like the warned child near the cookie jar; leaves once an inferno, crackling like dry wood now slimy and slippery and stick together like wet newspaper.  Fall is falling; it’s falling leaves and falling temperatures and falling daylight. 

But to Jenni, there’s never been a better, brighter or brisk beginning.

 

After 50 Years, I Can Speak My Father’s Language

I became Harold’s (my father’s name) youngest son when he was forty-nine years old.  Forty-nine today isn’t what it was in 1958, especially when you lived life full bore.  By the time I became conscious of his presence (three years old) he’d already begun his initial descent.  He had the looks of Walter Cronkite, the physique of Jackie Gleason, the temper of John McEnroe, the contempt for women of August Strindberg (Swedish Playwright and infamous misogynist 1849-1912), the alcoholism of Johnny Cash, and a creative and innovative mind in the areas of electrical and mechanical engineering.

There were just two of us (me and my older (2 years) brother.  That is, until 1972 (I was 14 years old), when the dirty laundry was aired: Our father had a previous marriage which produced two daughters and a son.  As I recall I was excited by the prospect (kind of like the “Brady Bunch“) and my brother was apprehensive and quite angry.  The confession of a first marriage only occurred because the eldest daughter had the strong desire to discover what happened to her “real daddy.”  The first wife’s precept that no one was to try to find their father until she had passed was strictly enforced and subsequently honored by all.  She passed in the early 70’s after which the eldest daughter’s search began.  As to why our mother or father kept this secret and never disclosed anything about it is anyone’s guess.

The marriage bond between my father and mother was broadsided by the wrecking ball in 1963 when the County Sheriff appeared at our front door to serve our dad his notice to vacate immediately which, we learned later, was a bitterly contested condition of their divorce. From that day on and until the day he died he expressed a cruel, ruthless and chronic acrimony and rancor toward our mother which he publicly and conspicuously displayed, especially when we visited on Sunday afternoons.  I don’t know if his brutish and vengeful behavior during our visits was aimed at my brother and I, or if he thought we’d run back to headquarters and repeat verbatim his vitriolic euphemisms such as “that god-damned pollock” (those were the only words he ever used to reference her).  I think his ruthless contention began after his first wife deserted him in the middle of the night with the children and his business partner and their business’s assets liquidated to cash.  The few things he treasured had fled in the night leaving him alone and penniless.

But he was not the victim; he was the perpetrator.

As I was to learn later in life, my father lived fast!  It took me a number of years before I could admit that my dad had already been someone else’s dad before he was mine.  What’s more, he was dad to three kids and husband to some lady some place and neighbors and club members and tavern buddies and business partners and customers all of whom I would never meet, but of whom meant very much or very little to him, and this whole other life never ever in a million years, not even for a split second ever imagined that somewhere some day in the universe there’d be Harold’s youngest child telling you their life story.  Well, until the age of fourteen I thought Harold being my dad was a one-act play; I was shocked to discover that there had been an earlier play, a one-man production entitled The First Dad is the Real Dad penned by his first family, which unbeknownst to me, devolved my one-act into a superfluous epilogue found in ancient Greek dramas.

Yet there were earlier chapters, when he was practically barbaric; young and handsome and strong and libertine.  Chapters in which he had pockets stuffed full of youthful immortality and adventurous hunger. Chapters which bore great resemblance to the stories of Hemingway or Faulkner or Steinbeck.  Chapters of male bonding and passage: acquiring the finesse of fly fishing; developing the patience of a deer hunter; learning how to set up camp.  Chapters about acquiring mechanical and electrical skills when combined with his creativity conjured up devices which awed his employers.  It’s these chapters that are out-of-print, those few siblings able to remember have long passed, names of friends or places or dates abandoned.  It would seem that my understanding of who and what my father really was would be conjecture, similar to explanations of figures in portraits painted by famous artists.

Except, there was one trail which we’d never bothered to follow: a couple of phenomenally heavy boxes which contained an enormous array of hand tools, parts, components, knobs, fuses, and rust.  These boxes had been buried in my brother’s basement for years, neither he nor I had any practical use for them.  In fact, they reminded both of us of particularly painful memories when both of us declined our dad’s invitation to study drafting in high school (and therefore follow his life’s path) and turned our attentions to the performing arts.  That was when I could feel my father’s pride drain from him as though he’d just been gutted.  But fifty years later, after I endured a break down and was determined to entertain my curiosities and creativity I spotted the art of wood working.  And I read a passage: “A Woodworker works wood with hand tools, he doesn’t machine wood with power tools.”  And so began my acquisition of various tools, all with specific purposes, and some which looked distantly familiar, as though I’d stumbled across them long ago but didn’t know what, if any, use they’d have.  What I didn’t understand then, I clearly understand now: Context was missing; meaning was missing; purpose and use and technique and discipline and understanding were all missing the first time, as an adolescent, I had found them.  But today, as I work wood with my hand tools I finally understand my father’s native language.  A language of tools and imagination and creativity.  A language of applied science.  A language which died the same day he did.

But it’s been rediscovered and is as important to me as the discovery of the Dead Sea Scrolls.  I finally understand the language he’d been speaking, how he saw his world, what he’d use to solve problems, and why he was so devastated when my brother and I impolitely snubbed his advice about drafting class and joined glee club instead.  And while I’m overjoyed to finally uncover a common thread uniting me to my dad, it’s also bittersweet: It’s a reminder that he’s gone and a wish that I’d give anything if he and I could, for just one day, sit together in my work space and “talk shop.”

The attached pictures show my dad’s tool at the top or the left and my tool underneath or to the right of his.

March’s Centerfold of “Gimme Wood”

I’m not sure how many of you receive the monthly periodical “Gimme Wood,” but ever since March of this year when their centerfold was a beauty from Japan, I’ve been dreaming of getting my hands on one of them.  I was so determined to get one that I engaged one of those traffickers in Japan to arrange everything on my behalf and she’d be a welcomed addition to my household.

Well, lo and behold, I found her online, and while she’s not “new” she’s been gussy’d-up, had a face-lift, and, most importantly rehabilitated.  She arrived at my doorstep about three weeks ago, but I kept her in the basement guest room fearing ridicule from my friends.  It wasn’t until yesterday that I finally put my hands on her and fired her up!

Unbelievable!

A slow start but once she got going. . .Jeez, I’ve been wasting time on American ones. . .I should’ve got one from Japan last year!

She’s mine forever, and there’s nothing anyone can do to take her away from me.  At long last my mitre corners will fit and I’ll be able to saw wood 10″ wide!

I love my Makita 10-inch dual slide compound mitre saw with laser.

Deconstruction: Or, The End Is A Great Place To Start

I was never known to have an aptitude for or interest in any kind of creative expression which involved my hands (with the exception of typing).  My friends are surprised by my newly discovered passion for woodworking, and they’re especially surprised that my knowledge has been self-taught.  But it’s less about knowledge and more about three things: 1) Curiosity; 2) Failure; and 3) Experience.

I think I’m a builder by nature.  There’s no proof; actually there’s plenty of evidence to the contrary.  Many friends are flummoxed by my very recent interest in woodworking.  Frankly it’s just a different way to express my curiosity and creativity.  I’m drawn to puzzling problems and paradoxical possibilities.

But I’m also impatient, prone to cutting corners, and okay with outcomes expressed by “good enough,” or “that’ll do.”

Why do we dream dreams we want, but are incapable of achieving?  Because we plunge headlong into a project long before we fully understand the knowledge or practical training required. It’s only when I encounter a surprise obstacle do I understand the depth of my ill-preparedness.  The obstacle can’t be avoided; it requires immediate attention (which in turn demands research and reading and materials) which dampens the initial excitement like a toy that breaks after 10 minutes.  Setbacks are a normal part of any project, but patience and an understanding of how your project is assembled helps in the long run.  

My self-education in woodworking stemmed from a pen stand a carpenter built into an exquisite barrister bookcase.  When I enquired if I might procure a pen stand from him, he replied in, what I was certain a foreign language:  All you do is put a half-inch core box bit in the collet of your router, adjust your cut depth, make sure your fence is square and both the in feed and out feed halves are aligned, check your speed, adjust the feather boards, and hit the switch! What?!?!? I sat on the internet for two hours deciphering his email.  Eventually I located the things he referenced and purchased them absolutely clueless as to what one does with them in order to produce the aforementioned pen stand.  I had decided to entertain my curiosity, put up cash betting that I could figure it out, and enjoyed for the first time in 20 years the brazen self-assuredness and absolute impunity (which, I bemoaned was carelessly frittered away by clodhopping, trust-funded youth).

But I’ve been bemoaning wrongly.  It’s not that youth squanders audacious and foolhardy behavior, but that I, when the significance of adulthood grabbed me by the throat and squeezed, surrendered my curiosities like possessions to a customs officer, and drifted farther and farther and farther still away from the entertainment that life could be.  That adventure was supplanted by decades of slick marketing campaigns which led to the acquisition of goods the commercials told me I’d like.  And then, Kaboom!  One hell-of-a-manic-episode and like the iconic Chaplin tramp, I was thrown out of the club and into the street.

And feeling just as I did when my older brother told me to get lost when he didn’t want me to tag along with his older pals, I finally understood that life only looks the way it does, because that’s how I look at it.

So today and a year of days before today I’ve promised to listen to my curiosities, promised to try things I haven’t done, and promised to fail as often as I can because failure assuredly makes curiosity laugh.