We Can’t, We Simply Can’t Forget Those Kids

It was similar to forcing yourself to perform a task you loathe and delay as long as possible.  But the timeliness of memory forced me to remain seated and prepare a list (found below) of the children and adults slain in Newtown.  But what caused unrelenting heartache was recognizing their ages, or, recognizing their lack of ages.  These students had barely rounded their first turn of life.  Life, as we all know much too well, is plump with memories, old jokes but new laughter, an eternity of firsts: love, kiss, bike, pirouetteagirldancing, strike out, airline, stitches, lipstick, heartbreak, failure, beer, hangover, diamond ring, varsity letter, loss, win, marriage, aweddingakisshouse, flat tire, hook line and sinker, kids, grand kids.  Yet these moments shaped us like a sculptor’s tools; these moments pop up like toast reminding us that life is really what we’ve learned by living.  Those children and adults abruptly had their lives erased like lessons on a chalkboard.

So I’m making a bold request of everyone that follows, reads, discovers, trips upon; all my social networks like Facebook, twitter, tumbler, stumble upon; bloggers, other bloggers and anyone else that has access to e-communication to perform the following:

Once a week write a post, tweet, tumble, message, or group email selecting one victim from the list, entitle the post, etc. something like “For Charlotte Bacon, Age 6, Newtown” and write one of your many life experiences as though you were saying it to Charlotte.  Then end it with “I promise to remember Charlotte, age 6, Newtown and what her life might’ve been.”

Because your magnanimity and writing and the far reaches of the internet together we can keep their memory alive.  To forget even one of these children is a profound example of selfishness.  Instead, we should add them to the list of precious things we hold closest to our heart.

SIX YEARS OLD

  1. Charlotte Bacon
  2. Olivia Engel
  3. Ana M. Marquez-Greene
  4. Dylan Hockley
  5. Madeleine F. Hsu
  6. Catherine V. Hubbard
  7. Jesse Lewis
  8. James Mattioli 
  9. Emilie Parker
  10. Jack Pinto
  11. Noah Pozner
  12. Caroline Previdi
  13. Jessica Rekos
  14. Avielle Richman
  15. Benjamin Wheeler
  16. Allison N. Wyatt

SEVEN YEARS OLD

  1. Josephine Gay
  2. Chase Kowalski
  3. Grace McDonnell

ADULTS

  1. Rachel Davino, age 19
  2. Victoria Soto, age 27
  3. Lauren Rousseau, age 30
  4. Dawn Hochsprung, age 47
  5. Anne Marie Murphy, age 52
  6. Mary Sherlach, age 56

After 50 Years, I Can Speak My Father’s Language

I became Harold’s (my father’s name) youngest son when he was forty-nine years old.  Forty-nine today isn’t what it was in 1958, especially when you lived life full bore.  By the time I became conscious of his presence (three years old) he’d already begun his initial descent.  He had the looks of Walter Cronkite, the physique of Jackie Gleason, the temper of John McEnroe, the contempt for women of August Strindberg (Swedish Playwright and infamous misogynist 1849-1912), the alcoholism of Johnny Cash, and a creative and innovative mind in the areas of electrical and mechanical engineering.

There were just two of us (me and my older (2 years) brother.  That is, until 1972 (I was 14 years old), when the dirty laundry was aired: Our father had a previous marriage which produced two daughters and a son.  As I recall I was excited by the prospect (kind of like the “Brady Bunch“) and my brother was apprehensive and quite angry.  The confession of a first marriage only occurred because the eldest daughter had the strong desire to discover what happened to her “real daddy.”  The first wife’s precept that no one was to try to find their father until she had passed was strictly enforced and subsequently honored by all.  She passed in the early 70’s after which the eldest daughter’s search began.  As to why our mother or father kept this secret and never disclosed anything about it is anyone’s guess.

The marriage bond between my father and mother was broadsided by the wrecking ball in 1963 when the County Sheriff appeared at our front door to serve our dad his notice to vacate immediately which, we learned later, was a bitterly contested condition of their divorce. From that day on and until the day he died he expressed a cruel, ruthless and chronic acrimony and rancor toward our mother which he publicly and conspicuously displayed, especially when we visited on Sunday afternoons.  I don’t know if his brutish and vengeful behavior during our visits was aimed at my brother and I, or if he thought we’d run back to headquarters and repeat verbatim his vitriolic euphemisms such as “that god-damned pollock” (those were the only words he ever used to reference her).  I think his ruthless contention began after his first wife deserted him in the middle of the night with the children and his business partner and their business’s assets liquidated to cash.  The few things he treasured had fled in the night leaving him alone and penniless.

But he was not the victim; he was the perpetrator.

As I was to learn later in life, my father lived fast!  It took me a number of years before I could admit that my dad had already been someone else’s dad before he was mine.  What’s more, he was dad to three kids and husband to some lady some place and neighbors and club members and tavern buddies and business partners and customers all of whom I would never meet, but of whom meant very much or very little to him, and this whole other life never ever in a million years, not even for a split second ever imagined that somewhere some day in the universe there’d be Harold’s youngest child telling you their life story.  Well, until the age of fourteen I thought Harold being my dad was a one-act play; I was shocked to discover that there had been an earlier play, a one-man production entitled The First Dad is the Real Dad penned by his first family, which unbeknownst to me, devolved my one-act into a superfluous epilogue found in ancient Greek dramas.

Yet there were earlier chapters, when he was practically barbaric; young and handsome and strong and libertine.  Chapters in which he had pockets stuffed full of youthful immortality and adventurous hunger. Chapters which bore great resemblance to the stories of Hemingway or Faulkner or Steinbeck.  Chapters of male bonding and passage: acquiring the finesse of fly fishing; developing the patience of a deer hunter; learning how to set up camp.  Chapters about acquiring mechanical and electrical skills when combined with his creativity conjured up devices which awed his employers.  It’s these chapters that are out-of-print, those few siblings able to remember have long passed, names of friends or places or dates abandoned.  It would seem that my understanding of who and what my father really was would be conjecture, similar to explanations of figures in portraits painted by famous artists.

Except, there was one trail which we’d never bothered to follow: a couple of phenomenally heavy boxes which contained an enormous array of hand tools, parts, components, knobs, fuses, and rust.  These boxes had been buried in my brother’s basement for years, neither he nor I had any practical use for them.  In fact, they reminded both of us of particularly painful memories when both of us declined our dad’s invitation to study drafting in high school (and therefore follow his life’s path) and turned our attentions to the performing arts.  That was when I could feel my father’s pride drain from him as though he’d just been gutted.  But fifty years later, after I endured a break down and was determined to entertain my curiosities and creativity I spotted the art of wood working.  And I read a passage: “A Woodworker works wood with hand tools, he doesn’t machine wood with power tools.”  And so began my acquisition of various tools, all with specific purposes, and some which looked distantly familiar, as though I’d stumbled across them long ago but didn’t know what, if any, use they’d have.  What I didn’t understand then, I clearly understand now: Context was missing; meaning was missing; purpose and use and technique and discipline and understanding were all missing the first time, as an adolescent, I had found them.  But today, as I work wood with my hand tools I finally understand my father’s native language.  A language of tools and imagination and creativity.  A language of applied science.  A language which died the same day he did.

But it’s been rediscovered and is as important to me as the discovery of the Dead Sea Scrolls.  I finally understand the language he’d been speaking, how he saw his world, what he’d use to solve problems, and why he was so devastated when my brother and I impolitely snubbed his advice about drafting class and joined glee club instead.  And while I’m overjoyed to finally uncover a common thread uniting me to my dad, it’s also bittersweet: It’s a reminder that he’s gone and a wish that I’d give anything if he and I could, for just one day, sit together in my work space and “talk shop.”

The attached pictures show my dad’s tool at the top or the left and my tool underneath or to the right of his.

Mental Illness: Metaphorically Speaking

It’s like a rain delay during the sixth inning of the seventh game of the World Series

It’s like everyone else forgot your birthday;

It’s like dining alone in, what was, your favorite restaurant;

It’s like all your clothes turned into varying shades of gray;

It’s like, who cares?

It’s like, I Want My Life Back!

It’s like a clogged drain.

It’s like I never heard the punchline.

It’s like the weariness of a fourteen mile boot camp hike.

It’s like losing your sense of smell.

It’s like living senselessly.

It’s like being stood up in a crowded restaurant without your wallet/purse.

It’s like sunny days, wagging tails, and giggles from children are intolerable annoyances.

It’s like being unhappy for so long you’ve forgotten what happiness was.

It’s like your friends don’t call as often.

It’s like vanilla, just vanilla, only vanilla, vanilla.

It’s like time’s hands got tired, quit, and moved to Florida.

It’s like there used to be normal, but now there’s this new normal which isn’t better or improved; the new normal is the generic of normal.

It’s like that dull ache of heartbreak.

It’s like the Dead Sea (lowest), Antarctica (coldest), and Macquarie, AU (cloudiest).

It’s like this every day.

 

March’s Centerfold of “Gimme Wood”

I’m not sure how many of you receive the monthly periodical “Gimme Wood,” but ever since March of this year when their centerfold was a beauty from Japan, I’ve been dreaming of getting my hands on one of them.  I was so determined to get one that I engaged one of those traffickers in Japan to arrange everything on my behalf and she’d be a welcomed addition to my household.

Well, lo and behold, I found her online, and while she’s not “new” she’s been gussy’d-up, had a face-lift, and, most importantly rehabilitated.  She arrived at my doorstep about three weeks ago, but I kept her in the basement guest room fearing ridicule from my friends.  It wasn’t until yesterday that I finally put my hands on her and fired her up!

Unbelievable!

A slow start but once she got going. . .Jeez, I’ve been wasting time on American ones. . .I should’ve got one from Japan last year!

She’s mine forever, and there’s nothing anyone can do to take her away from me.  At long last my mitre corners will fit and I’ll be able to saw wood 10″ wide!

I love my Makita 10-inch dual slide compound mitre saw with laser.

Moliere (18th Century French Playwright)

Writing is like prostitution: At first you do it because you love it; then, you do it for a few friends; and finally, you do it for the money.